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Star Wars Storyboards: The Original Trilogy, by J.W. Rinzler
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For the first time, Lucasfilm has opened its Archives to present the complete storyboards for the original Star Wars trilogy―the world-changing A New Hope and its operatic sequels, The Empire Strikes Back and Return of the Jedi―as well as never-before-published art from early conceptual and deleted scenes. From the opening chase above Tatooine in A New Hope to the Battle of Endor in Jedi, this book presents the visual inspiration behind now-iconic moments. Readers can finally see a full set of storyboards by legendary artist Joe Johnston, as well as early boards for Episode IV by Alex Tavoularis and for Episode V by Ivor Beddoes, rarely seen Episode VI boards by Roy Carnon, and Ralph McQuarrie’s never-before-seen storyboards for Episode V.
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Product details
Hardcover: 352 pages
Publisher: Harry N. Abrams; 1 edition (May 13, 2014)
Language: English
ISBN-10: 9781419707742
ISBN-13: 978-1419707742
ASIN: 1419707744
Product Dimensions:
9.5 x 1.2 x 12.2 inches
Shipping Weight: 4 pounds (View shipping rates and policies)
Average Customer Review:
4.8 out of 5 stars
107 customer reviews
Amazon Best Sellers Rank:
#134,111 in Books (See Top 100 in Books)
Seeing that there's already Star Wars Storyboards: The Prequel Trilogy, it's probably not surprising to expect a second book to complete the set.Star Wars Storyboards: The Original Trilogy is as thick as the earlier book at 352 pages. It's hardcover and the paper quality is nice.The storyboards featured are split between Episodes IV, V and VI, with 82, 112 and 142 pages devoted to each respectively.These storyboards are of course way older than those from the Prequel Trilogy book. Some of the storyboard artists include Joe Johnston, Ralph McQuarrie, Nilo Rodis-Jamero, Roy Carnon and more. There are 15 artists total. You can see different drawing styles, and medium such as in pencil, ink, markers and even watercolours.Not every sequence in the film are included of course. In this book are mostly those that require visual effects, or action scenes, or the more complex sequences. It's cool to study the composition and story flow, and the handling of space and perspective is impressive.The art is fantastic. Many of the storyboards are drawn quite detailed. You can actually make out the designs for the mask that rebels and stormtroopers are wearing. Same goes for the many spaceships and robots.It's interesting looking at the storyboards for these three old films. Even though the technology supposedly outdated by today's film or sci-fi standards, it doesn't feel that way because of the suggestive nature of art.The text only comes in the form of short captions describing the scenes on each page.This is a great artbook that goes well together with the Prequel Trilogy book.Highly recommended to those who love Star Wars and storyboards.(See more pictures of the book on my blog. Just visit my Amazon profile for the link.)
Can't recommend it enough. The best Star Wars experience since watching them for the first time as a kid.Especially for the boards about A New Hope, you can see how early/unfinished ideas about the script, characters and design evolved into something more familiar. It shows what could have been (in the earliest boards, ANH was much MUCH more violent) and some of what (thankfully) never was.I really like the care it takes to showcase each artist's work and interpretations throughout. These guys played such a big role in shaping this huge piece of pop culture, and it's good that they can get their due!
I'd say author/editor J.W. Rinzler deserves an MVP award for his current contributions to Star Wars fandom. He's hit another home run for the team with this OT Storyboards book. I loved his "Making of" books, and this is a perfect companion piece for them. It just keeps getting better. This book is not just a collection of various storyboard art. For the first time (I believe), Rinzler uses the original storyboard art to re-tell the stories of the three original movies (A New Hope, Empire Strikes Back, Return of the Jedi) in their original theatrical release form.Text is sparse in this book. Beyond the foreward and introduction, it's all artwork with brief captions.If there is a drawback to this book, it's that not all scenes are included--probably to keep the page count and price manageable. One glaring omission is the Cantina scene. Given how choppy the Kenobi/"Walrus Man" battle was, I'd like to see how it was portrayed in storyboards.If there is one treasured advantage to this book, it's that we see more drawings based on early designs that didn't appear in the movie. For example, the original Millennium Falcon was the Blockade Runner ship from Ep4's first scene. The cockpit was reused for the MF's "hamburger" design so the BR got a "hammerhead" cockpit. In these boards we see the original MF design escaping from Mos Eisley and being captured by the Death Star. That kind of stuff pleases me to no end!SPOILER ALERT! You won't believe what Alderaan originally looked like! It looks pretty familiar!It appears that Rinzler kept his choices as close to the finished movies as possible. That means that pretty much none of the cut scenes are included. For example, the scene of Luke and Biggs early in Ep 4 isn't here. Nor are any of the 1990's Special Edition scenes included. I did find one board from the sandstorm scene in Jedi, and there might be a few other rare instances, but overall the cut material is left out. I very much hope a future edition gets the "Special Edition" treatment with all that added.***Side note for those who don't know what storyboards are.***Storyboards are drawings of each shot for a movie. Every shot in a movie is pre-planned. Directors hire artists to sketch out what a particular shot will look like, meaning who is in the shot, how close they are to the camera, what action is taken (such as a spaceship's movement across the screen), and important background elements. Sometimes storyboard artists are asked to redraw a shot many times, depending on how many times the director changes his/her mind!Keep in mind, storyboards are sketches. They are not conceptual art involving detailed paintings. These are just production sketches that are placed on a big wall so the director can see the flow of the movie. And since directors often use a team of storyboard artists, the quality and style can vary greatly. They also vary in medium: some in pencil, some in ink, some in grey wash tones, and a very few in color. PLEASE DO NOT EXPECT FULLY RENDERED PIECES OF ARTWORK! Directors do not need storyboards that are finished pieces, so it is wasteful to pay for anything more than a sketch that shows the bare essentials for the shot.The beauty in this project is to experience the movies in their raw, imagined form. It's not just a revisit to the visuals or the story. It's a journey into the mind of Lucas and his assistants as they create the greatest sci-fi epic of all time.
I have always loved to see how filmmakers expressed and worked out their ideas on paper beforehand. To me this is a very essential procedure and an excellent creative management tool. Star Wars introduced me to the concepts of storyboards and pre production art and I have enjoyed seeing the progression of ideas and how the films were visually developed.This book delivers! Several of the images I had seen before in the various "Art Of . . " books, and I had expected seeing some of the same material here, but this delves deep into the archives and pulls out images about Ideas I never knew were being discussed, making this book something like a time travel device. If you are into Star Wars, you should have this on your shelf. If you are into the pre-production art of films you should have this book. If you are a student of film, you too should have this book because the art of storyboarding is valuable to the filmmakers ability to communicate. This is a great way to see how film looks are developed.I highly recommend this book.
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